Hoxtonlab
HOXTON LAB Filming Company

A production company.
Now a bridge to Europe.

London-based Hoxtonlab has spent fifteen years on British sets and in British post houses — Bond, Netflix, Apple TV, Universal, Sony. Since 2022 it has also worked alongside partners across Italy and the Mediterranean, its base in Europe — closing co-productions as far as Belgium and the Netherlands, and bringing public funding back within reach of UK producers.

Films

Public funding secured
In production
Feature documentary — Italy · UK
The Messina inventor who patented sound-on-film in 1921. Regional public funding secured — Liguria Region, Sicily Region Fund, and Sardinia Film Commission development fund.
In pre-production
Feature — Italy · UK · Belgium
La rivoluzione della luce. A three-country co-production under the European Convention on Cinematographic Co-production (ECCC 220), structured across Siracusa, London and Brussels.

Selected credits

Full reel on request
2024
Maria
Audio post-production
Netflix, dir. Pablo Larraín
2024
Making Wicked
Audio post-production
Universal Pictures
2023
Making The Witcher
Audio post-production
Netflix UK
2018-22
No Time To Die
Audio post-production
EON / The Workhouse, Pinewood
2022
Prehistoric Planet
Audio post-production
Apple TV
2022
The Old Guard 2
Behind-the-scenes producer
Netflix UK, Rome
2022
The Equalizer 3 — EPK/BTS
Executive producer, content
Sony Pictures, Amalfi
2020
The Rhythm Section
Audio post-production
Paramount Pictures

Clients

About

UK independent film hasn't lost its craft — it's lost its ecosystem. Direct access to Creative Europe funding ended after Brexit, its domestic replacement covers a fraction of what was lost, and international co-productions fell by almost a third in a single year. Hoxtonlab is the route back in — a London-rooted production company based across Italy and the Mediterranean, and from there, into Europe more widely, wherever public co-production funding still runs.

Contact

Hoxtonlab Ltd — London

hello@hoxtonlab.com

Insights

Notes on the funding landscape
The UK-Europe funding gap, and why co-production matters now
Creative Europe exit, a domestic replacement a fraction of the size, and international co-productions down 29% in a year.
2026
What UK producers don't know about the Italian side of a co-production
The Italian tax credit stacks with the UK's AVEC on the same film — up to 40% back, and most producers have never priced it in.
2026